Yesterday, I wrapped up primary work on the Clan War figures I’m doing for a friend back in Louisville. (Photos will be forthcoming once I’ve sprayed matte sealant – which may be a while, given current humidity – and flocked the bases.) I’m probably starting to sound like a shill, but I really am quite taken with Army Painter’s self-shading Speedpaints. I used them exclusively for this project and, while nothing is what I’d consider a competition-ready or professional-grade figure, I think they’re all acceptably table-ready.
Speedpaints are not without their flaws. Because of their viscosity, it’s very easy to overflow the area I’m targeting, particularly if the sculpt’s contours encourage flow and pooling. I’m still learning to recognize and avoid that. Their limited opacity makes it difficult for me to apply light colors over dark, so I’ve gotta spent a bit more effort pre-planning, lay down the light colors first, and then avoid the aforementioned overspill with the darker tones. Finally, there are a few colors that simply don’t apply well – the paint runs like rain on a freshly-waxed hood, leaving noticeable areas of minimal or no coverage. I’m seeing this mostly in handful of blues and greys, and I’m uncertain if it’s a production issue or a formulation issue. This is one of those times when I really wish Dad was still alive because I’d love to get a paint chemist’s professional opinion on what’s happening.
Having said all that, for 95% of the painting I do, Speedpaints make the task easier, less onerous, and less frustrating. This means I’ve painted more figures in the last 12 to 18 months than in probably the preceding decade. There’ve been droughts and burnouts – but what the shift from ultramoderns to samurai has shown me is that at least some of the burnout can be mitigated by moving between genres and color palettes.
This batch of samurai wound up being 14 figures – six different sculpts, with some duplicates. Because their primary use is likely to be opposing NPCs, I decided to do a different paint job for each one. This should make it easier for GM and players to designate targets and track health and other statuses, and it’s a better representation of unwashed ronin. This was a fun challenge and it kept things from getting too samey-samey. It also let me tinker with some colors, and some color combinations, that I hadn’t approached in ultramodern figures who were intended to represent urban operators and opposition. In particular, Occultist Cloak turns out to be a great dark grayish-blue (“blackish blue grey” on the official Speedpaints color chart) that’s a solid midnightish option for something that’s supposed to represent black but will show more of the figure’s detail. Lizardfolk Cyan (“greenish blue” on the same source) is, to my eye, a subdued teal with a grayish hue that has a lot of visual appeal (he said, gazing contemplatively at the number of turquoises in his fountain pen ink stash).
