{"id":694,"date":"2023-10-16T07:52:32","date_gmt":"2023-10-16T12:52:32","guid":{"rendered":"https:\/\/libellus.de-fenestra.com\/?p=694"},"modified":"2025-09-11T07:09:20","modified_gmt":"2025-09-11T12:09:20","slug":"brush-workout","status":"publish","type":"post","link":"https:\/\/libellus.de-fenestra.com\/?p=694","title":{"rendered":"Brush Workout"},"content":{"rendered":"\n<p>Yesterday, I wrapped up primary work on the Clan War figures I&#8217;m doing for a friend back in Louisville.  (Photos will be forthcoming once I&#8217;ve sprayed matte sealant &#8211; which may be a while, given current humidity &#8211; and flocked the bases.)  I&#8217;m probably starting to sound like a shill, but I really am quite taken with Army Painter&#8217;s self-shading Speedpaints.  I used them exclusively for this project and, while nothing is what I&#8217;d consider a competition-ready or professional-grade figure, I think they&#8217;re all acceptably table-ready.<\/p>\n\n\n\n<p>Speedpaints are not without their flaws.  Because of their viscosity, it&#8217;s very easy to overflow the area I&#8217;m targeting, particularly if the sculpt&#8217;s contours encourage flow and pooling.  I&#8217;m still learning to recognize and avoid that.  Their limited opacity makes it difficult for me to apply light colors over dark, so I&#8217;ve gotta spent a bit more effort pre-planning, lay down the light colors first, and then avoid the aforementioned overspill with the darker tones.  Finally, there are a few colors that simply don&#8217;t apply well &#8211; the paint runs like rain on a freshly-waxed hood, leaving noticeable areas of minimal or no coverage.  I&#8217;m seeing this mostly in handful of blues and greys, and I&#8217;m uncertain if it&#8217;s a production issue or a formulation issue.  This is one of those times when I really wish Dad was still alive because I&#8217;d love to get a paint chemist&#8217;s professional opinion on what&#8217;s happening.<\/p>\n\n\n\n<p>Having said all that, for 95% of the painting I do, Speedpaints make the task easier, less onerous, and less frustrating.  This means I&#8217;ve painted more figures in the last 12 to 18 months than in probably the preceding <em>decade<\/em>.  There&#8217;ve been droughts and burnouts &#8211; but what the shift from ultramoderns to samurai has shown me is that at least some of the burnout can be mitigated by moving between genres and color palettes.<\/p>\n\n\n\n<p>This batch of samurai wound up being 14 figures &#8211; six different sculpts, with some duplicates.  Because their primary use is likely to be opposing NPCs, I decided to do a different paint job for each one.  This should make it easier for GM and players to designate targets and track health and other statuses, and it&#8217;s a better representation of unwashed ronin.  This was a fun challenge and it kept things from getting too samey-samey.  It also let me tinker with some colors, and some color combinations, that I hadn&#8217;t approached in ultramodern figures who were intended to represent urban operators and opposition.  In particular, Occultist Cloak turns out to be a great dark grayish-blue (&#8220;blackish blue grey&#8221; on the official Speedpaints color chart) that&#8217;s a solid midnightish option for something that&#8217;s supposed to represent black but will show more of the figure&#8217;s detail.  Lizardfolk Cyan (&#8220;greenish blue&#8221; on the same source) is, to my eye, a subdued teal with a grayish hue that has a <em>lot <\/em>of visual appeal (he said, gazing contemplatively at the number of turquoises in his fountain pen ink stash).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yesterday, I wrapped up primary work on the Clan War figures I&#8217;m doing for a friend back in Louisville. (Photos will be forthcoming once I&#8217;ve sprayed matte sealant &#8211; which may be a while, given current humidity &#8211; and flocked the bases.) I&#8217;m probably starting to sound like a shill, but I really am quite [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[42],"class_list":["post-694","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-miniatures"],"_links":{"self":[{"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=\/wp\/v2\/posts\/694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=694"}],"version-history":[{"count":1,"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=\/wp\/v2\/posts\/694\/revisions"}],"predecessor-version":[{"id":695,"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=\/wp\/v2\/posts\/694\/revisions\/695"}],"wp:attachment":[{"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libellus.de-fenestra.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}